If you haven't noticed yet, I've added a link to Qube Blog, which is a project I've been asked to help out with. I think the idea is eventually to publish a series of coffee-table style books, featuring thought provoking questions paired with high-quality images, intended to generate interesting and important discussion in social settings. My job is to see how well the ideas discuss. I'm not sure a blog works best, because the discussion gets a bit long for the narrow column format.
Consider this your personal invitation to participate in the discussion (so I don't look like an idiot talking to myself) and also a request for feedback on the blog (what you like or don't; what works or doesn't). Feel free to email me re: Qube Blog at: qubeblog[at]gmail[dot]com.
Thanks. I Hope everyone is well. I've been sick since last Wednesday (yup. I was sick on Thanksgiving and couldn't smell or taste the turkey). I'm feeling somewhat better today, after sleeping fourteen hours yesterday, but I'm still not sure if I'm actually recovering or if the three cups of coffee I had this morning are masking the symptoms.
Peace.
Tuesday, November 28, 2006
Tuesday, November 14, 2006
Rain Baby
Tomorrow Eliot will be seven. He was born six weeks premature, so seven years ago to this moment, I had no idea he was about to arrive. I imagine myself napping on our old, wood and wicker couch or staring out the enormous picture window behind it at city houses all in rows, and city children hanging lazily on porches and playing in the street. I remember rain, and maybe there was rain—as is common in St. Louis in November. But rain is almost all I remember that year.
In my thoughts of childhood, I am perpetually seven. I was seven when I hugged the white house on 8th Avenue and said goodbye to hay fields and country roads; to Johnny Height and Mindy Plumpton, whose straight brown pigtails I both adored and envied. I said hello to sidewalks, green lawns and neat suburban blocks. My heart widened that year. I sat on my swing set in the dark and told God a great secret-- I would love Him forever. I would love people, too; the hurt ones, the lonely ones. This was the great awakening of my heart to inner dialogue and large questions. Also that year, I split open my chin to the bone, while racing bikes with my brother. For weeks afterward, I could walk past Grace Bible Church and see my blood dripped all over the stony sidewalk. Once, I squatted near it and covered the brown dots with my hand. I wished until my stomach hurt that I could go back, and not glance sideways at my brother's tire. At first when I looked at the blood, my stomach always churned like that, but later, as the story spread, I grew sort of proud of it. That’s my blood there on the sidewalk; that’s a piece of me. It seemed like years before the rain finally washed away the last spatter but when it was gone, I knew I had lost something. That year I wrote my first poem.
I wrote a letter to Marshall the year he turned seven. I was away in England for ten weeks, and I wanted to tell him about being seven. Micah turned five while I was gone, and Eliot was just one and a half. I have a photograph of him: blond curls piled high on his head and a bottle hanging from his smirking mouth. His eyes are clear blue and as often as I’ve tried to find him in that picture, I can’t. This child isn’t in my memory. I wasn't there. It was only ten weeks, and I needed to go. Still, I imagine a churning hole of sadness in his middle, as my memory faded like blood stains on the sidewalk.
Tonight, I lay down on Eliot’s bed to kiss him and tuck him in. He asked me to sing The Meatball Song, so I laughed and started in,
He sang along with me until we came to the last line. He was quiet while I sang,
“That is such a sad song,” he said. “Do you know what I would do? I would run and catch the meatball and clean all the dirt off it and then I would put it back on my spaghetti.”
He asked me why the person in the song didn’t do that and then he asked me why anyone would write such a sad song and call it funny. I laid my head on the pillow next to him and smiled as he sang his very own continuation of The Meatball Song, which finds the meatball “pulling up its sleeves”, making its way back into the house and “onto the plate”, and wraps up neatly with everyone having a “happy day”.
It must have been a healing rain that November and it must have been enough, because Eliot is all flowers and sunshine.
In my thoughts of childhood, I am perpetually seven. I was seven when I hugged the white house on 8th Avenue and said goodbye to hay fields and country roads; to Johnny Height and Mindy Plumpton, whose straight brown pigtails I both adored and envied. I said hello to sidewalks, green lawns and neat suburban blocks. My heart widened that year. I sat on my swing set in the dark and told God a great secret-- I would love Him forever. I would love people, too; the hurt ones, the lonely ones. This was the great awakening of my heart to inner dialogue and large questions. Also that year, I split open my chin to the bone, while racing bikes with my brother. For weeks afterward, I could walk past Grace Bible Church and see my blood dripped all over the stony sidewalk. Once, I squatted near it and covered the brown dots with my hand. I wished until my stomach hurt that I could go back, and not glance sideways at my brother's tire. At first when I looked at the blood, my stomach always churned like that, but later, as the story spread, I grew sort of proud of it. That’s my blood there on the sidewalk; that’s a piece of me. It seemed like years before the rain finally washed away the last spatter but when it was gone, I knew I had lost something. That year I wrote my first poem.
I wrote a letter to Marshall the year he turned seven. I was away in England for ten weeks, and I wanted to tell him about being seven. Micah turned five while I was gone, and Eliot was just one and a half. I have a photograph of him: blond curls piled high on his head and a bottle hanging from his smirking mouth. His eyes are clear blue and as often as I’ve tried to find him in that picture, I can’t. This child isn’t in my memory. I wasn't there. It was only ten weeks, and I needed to go. Still, I imagine a churning hole of sadness in his middle, as my memory faded like blood stains on the sidewalk.
Tonight, I lay down on Eliot’s bed to kiss him and tuck him in. He asked me to sing The Meatball Song, so I laughed and started in,
"On top of spaghetti, all covered with cheese;
I lost my poor meatball when somebody sneezed."
He sang along with me until we came to the last line. He was quiet while I sang,
"It rolled down the sidewalk and under a bush
And then my poor meatball was nothing but mush!"
“That is such a sad song,” he said. “Do you know what I would do? I would run and catch the meatball and clean all the dirt off it and then I would put it back on my spaghetti.”
He asked me why the person in the song didn’t do that and then he asked me why anyone would write such a sad song and call it funny. I laid my head on the pillow next to him and smiled as he sang his very own continuation of The Meatball Song, which finds the meatball “pulling up its sleeves”, making its way back into the house and “onto the plate”, and wraps up neatly with everyone having a “happy day”.
It must have been a healing rain that November and it must have been enough, because Eliot is all flowers and sunshine.
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